Saturday, December 31, 2011

UFO movie news round-up (1 Jan. 2012)

By Robbie Graham Silver Screen Saucers

Harrison Ford is to play the role of Colonel Hyram Graff in Ender's Game, a big screen adaptation of Orson Scott Card’s classic – and, until now, “unfilmable” – sci-fi novel about a future Earth under threat of invasion by a race of insectoid aliens known as 'Formics'. Set seventy years after an epic human/alien war, the story follows the character of Ender Wiggin, a young boy whose tactical genius offers hope for humanity in the face of a new Formic invasion.

According to The Hollywood Reporter, Ender's Game will also star Hailee Steinfeld (True Grit), Abigail Breslin and Ben Kingsly. Ben Hood (Rendition, X-Men: Origins) will helm the production, while Alex Kurtzman and Roberto Orci (whose credits include Transformers and Cowboys and Aliens) will produce. Shooting begins in February and the movie will hit cinemas in March 2013.

In other news, Game of Thrones director Alan Taylor has been chosen by Marvel to direct the sequel to Thor. Plot details for Thor 2 are sketchy at present, but the first movie – which features in my ten most notable UFO movies of 2011 list – touched on various themes and ideas central to UFOlogy, including Ancient Astronauts, wormhole travel and shadowy government agents tasked with monitoring extraordinary phenomena. Incidentally, the character of Thor will also be appearing in the upcoming mega-movie The Avengers, in which he and other Marvel superheroes will be pitted against the alien menace Loki – Thor’s own brother. Thor 2 is due for release in 2013. The Avengers is released this April. View the trailer below...


Finally, the Moscow-set alien invasion movie The Darkest Hour has opened to poor reviews from critics. Entertainment Weekly gave the movie a D+, noting: “You should be rooting for the humans, but you might as well be rooting for the blobs. Most likely, though, you’ll just be rooting for the credits.” Ouch. The Wrap was no less scathing in its review, calling The Darkest Hour anaggressively idiotic movie”, saying of its thinly sketched characters: “if these dimwits represent the hope of humanity, bring on the alien overlords.” In the same vein, The Hollywood Reporter describes The Darkest Hour asAn alien invasion flick that evidently expects dramatic shots of a depopulated Red Square to make up for a flatlining screenplay and the absence of even a single compelling character." Ouch again. For many more wince-inducing reviews of The Darkest Hour, head on over to Rotten Tomatoes.
The Darkest Hour (2011): An "aggressively idiotic movie."

Thursday, December 29, 2011

The ten most notable UFO movies of 2011

By Robbie Graham Silver Screen Saucers

UPDATED: 30 December 2011

Top row, left to right: Attack the Block, Paul, Mars Needs Moms, Thor, Super 8. Bottom row, left to right: Battle: Los Angeles, I Am Number Four, Cowboys and Aliens, Transformers 3, Apollo 18.

As we say goodbye to 2011 I thought it only appropriate that I put together a list of what, in my opinion, have been the best, worst, and most interesting UFO movies of the year. Please do feel free to compile your own lists in the comments section below.

For those new to Silver Screen Saucers, I define a "UFO movie" as:

Any movie that taps directly into any aspect of UFO mythology or notably draws inspiration from UFOlogical discourse, incorporating into its plot references to frequently debated UFOlogical phenomena (abductions, crop circles, etc.), events (Roswell, for example) and locales (such as Area 51), and/or specialised UFOlogical terminology (‘Close Encounter’, ‘missing time’, ‘Blue Book’, ‘Moon Dust’, ‘Majestic’, etc).

A UFO movie need not be about UFOs, per se, nor feature traditional UFOlogical iconography (such as flying saucers or little ‘Grey’ aliens with big black eyes), but will nevertheless often devote a respectable amount of its running time to the dramatisation of imagined human/alien interactions, usually – though not always – in the context of a ‘first contact’ scenario in which the extraterrestrials assume the role of visitor/invader. In other words, the UFO movie frequently is concerned with the possibilities inherent from a human perspective in earthly encounters with extraterrestrials.


Silver Screen Saucers' ten most notable UFO movies of 2011


Ranked according to quality (with star ratings out of five)


Ranked according to level of UFOlogical interest/significance


INVADING CINEMAS NEXT YEAR...

Five high-profile UFO movies due for release in 2012


Information and discussion about all of the above movies is accessible directly through the Silver Screen Saucers' search bar function at the top right of the page. For a comprehensive list of UFO movies due for release between 2012 and 2014, simply scroll down the Silver Screen Saucers sidebar.

Wednesday, December 21, 2011

'The Darkest Hour': new viral video

Silver Screen Saucers

A faux news report has hit the web ahead of the Christmas Day release of the alien invasion thriller The Darkest Hour...

Friday, December 9, 2011

‘Battleship’ movie: ‘Top Gun’ meets ‘Aliens’ meets ‘Crimson Tide’

Silver Screen Saucers

Upcoming board game adaptation promises “good old fashioned city destruction from flaming projectiles, alien ships and artificially induced earthquakes.”


Footage from Universal’s Battleship was previewed recently for a small gathering of journalists in Santa Monica, California. Among those present were ComingSoon.net's Scott Huver and Silas Lesnick. Here is some choice info from their interview with the movie’s director, Peter Berg...

Of Battleship’s inspiration / origin, Berg says:

"We were looking for a title and looking for something to do... 'Transformers' had come out and I was a huge fan of it, and I was starting to think about other brands and I was just thinking about 'Battleship,' as the son of a World War II historian and a naval fanatic - my father was all about ships and all about World War II battles... So, I went and talked to the guys at Hasbro. I said, 'I want to do a film about naval warfare, the modern navy.' They said, 'What's the story?' I said, 'I'm not sure what the story is, but I'll figure one out. But I'm your guy.' We were pitching it, for some reason they were like, 'Okay, you're our guy.' I was maybe the ONLY guy pitching it, or maybe the loudest guy, but I got it and started to kind of come up with a way of bringing in alien component to the film that I thought was credible."

Berg says that Universal wanted him to go into production as soon as possible:

"I was like, 'Right now?' I was planning on doing something else.' 'Right now. Can you do it?’ I'm a pretty competitive person and I was like, 'Of course I can do it.' They said, 'Are you sure?' I said, 'Of course I can do it.' They said, 'Anything that we can do for you we'll do. We'll help you as much as we can, or as little as you want us to.' I'm really happy with the way that it's coming together. I'm happy to bring you all on the ride."


Based on conversations with Battleship’s producer, Sarah Aubrey, ComingSoon.net explains that there are two major variations of aliens in the movie: “some are scientists and others are ‘Thugs,’ used as shock troops. As far as the design goes, think Halo's Master Chief, but larger and more mechanical.”

The journalists were also shown the new trailer for the movie (due for release in the very near future), which features “quite a bit of destruction on a Michael Bay scale, both at sea and on land... Overall, the new trailer does an excellent job at communicating a level of spectacle that fans may not have been expecting from the initial teaser, including land, sea and air combat as well as good old fashioned city destruction from flaming projectiles, alien ships and artificially induced earthquakes."

Berg also confirms that his movie has been produced with the full cooperation of the US Navy:

“We filmed a lot of real Navy ships, a lot of real sailors. We had Navy consultants all over our ships because they speak their own language, like, 'What would you do here? How would you ask for this information?' And they're real happy with that and I was really happy to be able to bring that kind of reality to it. Throughout it we maintain a real sense of this is how the Navy would react to this.”


Of his movie’s aliens, Berg says:

“Our aliens, again, are not so powerful that our weapons can't engage them. I mean, it takes a lot. They're hard to sink. We have to figure it out. Our radar can't see them. Their radar can't see us. We can't communicate with each other. We have some communication issues. But our weapons systems work. We have to figure out a way to make contact with the enemy without being able to see them by figuring out where we think they are which is a throwback to the game. But if we hit them properly with enough ordinance we can hurt them.

The aliens come from a planet that... has a similar geology, a similar environment, a similar temperature to ours. There's a resemblance. They're somewhat human. They're not machines. Most of them are actually quite intelligent. Most of the ones that come are more scientific. These are guys who are basically tasked with going and looking for other planets that might be of interest for a resource data point for them. So, these guys are super-intelligent. They're not that big. They're average height maybe, five-foot-eight, five-foot-nine. They're very worn. They've done this before. They've been to other planets. They've never encountered anything with quite as much resistance as us, but they've fought before and they're not inherently violent. If you meet him his interest is not to kill you. He's not really interested in you. He's just interested in the minerals and the resources of your planet. If you get in his way he'll kill you without prejudice, for the most part.”

Battleship hits cinemas May 18, 2012.

Tuesday, December 6, 2011

Body-snatching aliens to invade big screen in 2013

Silver Screen Saucers

ComingSoon.net reports that William Hurt is in talks to appear as the character of ‘Jeb’ in the upcoming adaptation of The Host – Stephanie Meyer’s 2008 science-fiction romance novel about alien entities (called “Souls”) who silently take over Earth by invading the minds of its inhabitants. The plot is officially described as follows:

“Our world has been invaded by an unseen enemy. Humans become hosts for these invaders, their minds taken over while their bodies remain intact and continue their lives apparently unchanged. Most of humanity has succumbed.

When Melanie, one of the few remaining "wild" humans is captured, she is certain it is her end. Wanderer, the invading "soul" who has been given Melanie's body, was warned about the challenges of living inside a human: the overwhelming emotions, the glut of senses, the too vivid memories. But there was one difficulty Wanderer didn't expect: the former tenant of her body refusing to relinquish possession of her mind.

Wanderer probes Melanie's thoughts, hoping to discover the whereabouts of the remaining human resistance. Instead, Melanie fills Wanderer's mind with visions of the man Melanie loves – Jared, a human who still lives in hiding. Unable to separate herself from her body's desires, Wanderer begins to yearn for a man she has been tasked with exposing. When outside forces make Wanderer and Melanie unwilling allies, they set off on a dangerous and uncertain search for the man they both love."

The Host is to be directed by Andrew Niccol (Gattaca, Lord of War). It is scheduled for release March 29, 2013.

Monday, December 5, 2011

Spielberg's 'E.T.' came close to being a horror

By Robbie Graham Silver Screen Saucers

One of the world’s most beloved family films – E.T. The Extraterrestrial – was very nearly a nightmarish horror; this according to the film’s director Steven Spielberg, who recently told Entertainment Weekly of his 1982 classic:

"It was going to be called Night Skies, based on a piece of UFO mythology... where a farm family reported little spindly grey aliens attacking their farm, even riding cows in the farmyard. This farm family basically huddled together for survival... It's a story that's well-known in the world of ufology, and we based our script on that story."

Spielberg is, of course, referring to the Kelly-Hopkinsville encounter of 1955, which is regarded as one of the most significant and bizarre UFO cases on record. It is also one of the best-documented.

Spielberg tells Entertainment Weekly that he even went so far as to hire legendary effects designer Rick Baker (An American Werewolf in London) to bring the impish Hopkinsville Kentucky aliens to life on the big screen, adding that E.T. only transformed into a family film when Harrison Ford's then-girlfriend Melissa Mathison came onboard to rewrite the screenplay. "Melissa didn't want to write it,” Spielberg says, “I needed Harrison and all of us to talk her into it."

Related:


Saturday, December 3, 2011

Tom Cruise to star in back-to-back ET invasion flicks

By Robbie Graham Silver Screen Saucers

Sakurazaka's graphic novel
Variety reports that Tom Cruise has agreed to star in All You Need Is Kill – a big screen adaptation of Hiroshi Sakurazaka’s graphic novel about a soldier in a future war against extraterrestrials known as ‘Mimics’ who finds himself stuck in a Groundhog Day-style time loop and is forced to relive his last day over and over again after being killed. With each new resurrection the soldier’s skill improves, giving him the chance to change not only his own fate, but that of humanity.

All you Need is Kill will be directed by Doug Liman for Warner Bros. Cruise is expected to start work on the movie in late 2012, making it an alien-packed year for the star. In March, Cruise will begin work on Universal’s Horizons – a $100 million sci-fi epic directed by TRON: Legacy helmer, Joseph Kosinski, adapted from his forthcoming graphic novel, Oblivion



Earlier this year, Variety said of Horizons:

"Cruise is set to star as Jack, a man who lives in the clouds above Earth and heads to its surface to repair drones that essentially keep the planet safe from an alien race that has all but wiped out humanity.

There are two key female characters -- Victoria, Jack's right-hand woman and lover who serves as his eyes and ears while he's on repair missions, and Julia, his fiancee on Earth before the alien invasion.”

Artwork from the forthcoming graphic novel Oblivion, on which the movie Horizons is to be based

Although All You Need Is Kill and Horizons share obvious narrative themes – and Tom Cruise as leading man – director Doug Liman has insisted that the two movies will be “completely different.”

Horizons is due for release in July of 2013; All You Need Is Kill will follow later in the same year or in early 2014.

The Need-to-Know Petition: A Message from Richard Dolan

Silver Screen Saucers



Thursday, December 1, 2011

New 'John Carter' trailer - HD

Silver Screen Saucers

Disney has released its new, full trailer for John Carter...




'Prometheus': high-res photos

Silver Screen Saucers

20th Century Fox has released high-resolution promotional shots for Ridley Scott's Alien prequel Prometheus. These come via ComingSoon.net...






Prometheus will be unleashed in cinemas June 8, 2012.

Wednesday, November 30, 2011

'The Darkest Hour' warning signs

Silver Screen Saucers

Summit Entertainment has released four 'Warning Signs' as part of its marketing campaign for The Darkest Hour - a Moscow-set alien invasion thriller due for release in 3D and 2D on Christmas day...





The Darkest Hour stars Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor and Joel Kinnaman and is directed by Chris Gorak.

Related posts:

'The Darkest Hour': story details, artwork revealed

'The Darkest Hour' featurette

Tuesday, November 29, 2011

'Men in Black 3' posters revealed

Silver Screen Saucers

Columbia Pictures has provided ComingSoon.net with two posters for Men in Black 3. Towards the bottom of each poster is a disguised weblink - TheMenInBlackSuitsAreReal.com - which leads to a viral Facebook account run by 'BugEyes126', who has left the following message:

"I've uncovered that there's these Men in Black suits who monitor and police alien activity on earth. Up until now no one believes me, so I'm on a mission to prove that they're real and that's why I started this Facebook page. More soon."




Men in Black 3 opens in 3D, 2D and IMAX 3D theaters on May 25. It is directed by Barry Sonnenfeld and stars Will Smith, Tommy Lee Jones, Josh Brolin, Jemaine Clement, Emma Thompson, Nicole Scherzinger, Alice Eve and Michael Stuhlbarg.

Related:

Retro aliens for 'Men in Black 3'


New 'John Carter' poster

By Robbie Graham Silver Screen Saucers

Disney has released a new poster design for the hotly anticipated Mars-based adventure John Carter...


The Red Planet itself dominates in the new poster. A bold move on Disney's part... the studio knows only too well the sting of the Martian Curse.

Monday, November 28, 2011

Hollywood's top alien designer talks 'Prometheus', 'Super 8'

Silver Screen Saucers
Above: alien from Super 8 (2011)

Hollywood creature designer Neville Page chatted recently with horror movie news site Shock Till You Drop about his experience of working with some of the industry’s top directors on projects such as Avatar, Super 8 and the forthcoming Prometheus.




Page – who also designed the aliens for Star Trek and Green Lantern – says:

Above: aliens from Green Lantern (2011)
“I see myself as an arm, hired to realize other peoples' visions. Yes, they hire me because I have a particular take on things and aesthetic. Working with someone like James Cameron, Ridley Scott or J.J. Abrams, they have an agenda, they have a vision they need my help realizing. So, the reason I say I try to have my style come through is because it's not about me, it's about taking whatever is in their heads and trying to bring it to light. It ends up being infused with your aesthetic propensities. You can't help to have it be of you. It's my job to make sure the character in their production doesn't look similar to something else in another production.”

To read the rest of the interview, head on over to Shock Till You Drop.

Friday, November 25, 2011

New 'John Carter' photos

Silver Screen Saucers

SFX magazine has just published six new images from Disney's forthcoming sci-fi adventure John Carter...







The new trailer for John Carter will arrive next week and the movie itself is due for release March 9, 2012.

UFO movie news round-up (25 Nov. 2011)

By Robbie Graham Silver Screen Saucers

Veteran producer Gale Anne Hurd has optioned Annie Jacobsen’s controversial book Area 51: An Uncensored History of America's Top Secret Military Base for a potential TV series. According to Deadline the series “will follow two men working on the base who are thrust into danger when they uncover secrets that the government will protect at any cost.” Annie Jacobsen will work on the project as a consulting producer.

In other news, new images of Ridley Scott’s hotly anticipated Alien prequel Prometheus have emerged through Entertainment Weekly. One of the stars of the movie, Michael Fassbender, seemed to confirm to EW that the aliens featured in the existing franchise will indeed appear in Prometheus: “There’s definitely a link to Alien,”he said, “There’s creatures in it that you’ll recognize.”

Ridley Scott's Prometheus (2012)

For more new images from Prometheus, see here.

Finally, and again through Entertainment Weekly, Disney has released a new image from its forthcoming Mars-based epic John Carter, which shows the eponymous hero doing battle with one of the great White Apes of Edgar Rice Burroughs’ classic source material.


John Carter is due for release March 9, 2012.

Wednesday, November 23, 2011

Hollywood and the Curse of Mars

By Robbie Graham Silver Screen Saucers

At NASA and in Hollywood right now, eyes are trained on Mars. November 26 will see the launch of NASA’s much-hyped, $2.3 billion Mars Science Laboratory (MSL) mission, the purpose of which is to land and operate a rover called Curiosity on the surface of the Red Planet. The rover’s task: to discover whether or not Mars is now, or has ever been, hospitable to life. Meanwhile, over in Tinseltown, Disney is hoping that its own substantial Mars-related investment will pay off: the forthcoming mega-movie, John Carter.

The movie – a lavish, big-screen adaptation of Edgar Rice Burroughs’ Barsoom series of science fiction adventure novels – will chronicle the exploits of John Carter, a 19th Century American Civil War veteran who, upon being mysteriously transported to Mars, discovers it to be a thriving and diverse world populated by 9 ft tall, green, four-armed warriors called Tharks, as well as more human-looking "red" Martians.

Empire magazine has described John Carter as “one of the more complicated productions you’ll ever see," noting that "the film combines location shooting, studio sets, [and] live action and digital creations.” Disney has invested almost $300 million in the movie, placing great faith in its director Andrew Stanton (Finding Nemo, Wall-E), as well as its much-loved source material, and the word “franchise” will no doubt have been used liberally by Disney bigwigs overseeing the project since its inception. In light of its colossal budget, however, the movie will need to do some serious box-office if it is to survive past its first instalment, let alone go on to become Disney’s next Pirates or Narnia.

In addition to the usual hurdles strewn along a movie’s road to success – bad reviews, box-office competition, poor filmmaking (though that’s usually irrelevant), misjudged marketing, classification issues, uncontrollable, politically sensitive national or international events (Hollywood suffered badly in the aftermath of 9/11, for example), John Carter faces another, almost insurmountable, obstacle: the dreaded ‘Martian Curse.’

Lost in Space

The Martian Curse is typically referred to in the context of Earth’s numerous failed Mars missions, the most recent of which is the Phobos-Grunt. The purpose of this Russian-led mission was to land a probe on the mysterious Martian moon Phobos and scoop up rock samples for return to Earth. It was hoped that the samples would yield new insights into the origin of Phobos, which is thought by some to be an extraterrestrial space station. However, for reasons as yet unknown, the spacecraft was unable to fire its engines following its launch on November 9 of this year has been stuck in low Earth orbit ever since. Hope for the mission’s recovery has now been completely extinguished.

The failure of Phobos-Grunt should come as little surprise. Of the 39 international Mars missions to date as listed by NASA on its Mars Exploration Program website (excluding the Phobos-Grunt, which has yet to be officially counted among the ‘dead’) a staggering 22 are declared as outright failures.

Mars Missions: Historical Log

Launch Date
Name
Country
Result
Reason
1960
Korabl 4
USSR (flyby)
Failure
Didn't reach Earth orbit
1960
Korabl 5
USSR (flyby)
Failure
Didn't reach Earth orbit
1962
Korabl 11
USSR (flyby)
Failure
Earth orbit only; spacecraft broke apart
1962
Mars 1
USSR (flyby)
Failure
Radio Failed
1962
Korabl 13
USSR (flyby)
Failure
Earth orbit only; spacecraft broke apart
1964
Mariner 3
US (flyby)
Failure
Shroud failed to jettison
1964
Mariner 4
US (flyby)
Success
Returned 21 images
1964
Zond 2
USSR (flyby)
Failure
Radio failed
1969
Mars 1969A
USSR
Failure
Launch vehicle failure
1969
Mars 1969B
USSR
Failure
Launch vehicle failure
1969
Mariner 6
US (flyby)
Success
Returned 75 images
1969
Mariner 7
US (flyby)
Success
Returned 126 images
1971
Mariner 8
US
Failure
Launch failure
1971
Kosmos 419
USSR
Failure
Achieved Earth orbit only
1971
Mars 2 Orbiter/Lander
USSR
Failure
Orbiter arrived, but no useful data and Lander destroyed
1971
Mars 3 Orbiter/Lander
USSR
Success
Orbiter obtained approximately 8 months of data and lander landed safely, but only 20 seconds of data
1971
Mariner 9
US
Success
Returned 7,329 images
1973
Mars 4
USSR
Failure
Flew past Mars
1973
Mars 5
USSR
Success
Returned 60 images; only lasted 9 days
1973
Mars 6 Orbiter/Lander
USSR
Success/Failure
Occultation experiment produced data and Lander failure on descent
1973
Mars 7 Lander
USSR
Failure
Missed planet; now in solar orbit.
1975
Viking 1 Orbiter/Lander
US
Success
Located landing site for Lander and first successful landing on Mars
1975
Viking 2 Orbiter/Lander
US
Success
Returned 16,000 images and extensive atmospheric data and soil experiments
1988
Phobos 1 Orbiter
USSR
Failure
Lost en route to Mars
1988
Phobos 2 Orbiter/Lander
USSR
Failure
Lost near Phobos
1992
Mars Observer
US
Failure
Lost prior to Mars arrival
1996
Mars Global Surveyor
US
Success
More images than all Mars Missions
1996
Mars 96
USSR
Failure
Launch vehicle failure
1996
Mars Pathfinder
US
Success
Technology experiment lasting 5 times longer than warranty
1998
Nozomi
Japan
Failure
No orbit insertion; fuel problems
1998
Mars Climate Orbiter
US
Failure
Lost on arrival
1999
Mars Polar Lander
US
Failure
Lost on arrival
1999
Deep Space 2 Probes (2)
US
Failure
Lost on arrival (carried on Mars Polar Lander)
2001
Mars Odyssey
US
Success
High resolution images of Mars
2003
Mars Express Orbiter/Beagle 2 Lander
ESA
Success/Failure
Orbiter imaging Mars in detail and lander lost on arrival
2003
Mars Exploration Rover - Spirit
US
Success
Operating lifetime of more than 15 times original warranty
2003
Mars Exploration Rover - Opportunity
US
Success
Operating lifetime of more than 15 times original warranty
2005
Mars Reconnaissance Orbiter
US
Success
Returned more than 26 terabits of data (more than all other Mars missions combined)
2007
Phoenix Mars Lander
US
Success
Returned more than 25 gigabits of data


Humanity’s rather bleak history of Mars exploration has led some UFO researchers to speculate that perhaps the Red Planet does not want to be visited; that Earth may even be under some sort of Martian quarantine. This idea is based, in part, on statements made by some of the world’s best known remote viewers, among them David Morehouse, a former ‘psychic spy’ with the CIA’s now-defunct Stargate program, who told best-selling author and journalist Jim Marrs: “It appears that whoever is up there [on Mars] does not want us to know about them.” This view is shared by many of Morehouse’s ‘psi-spy’ colleagues based on their own ‘remote’ observations of the Red Planet, which are detailed in Marrs’ book Alien Agenda.

The idea of Mars being inhabited today may sound far-fetched, but a number of unusual events during past Mars missions are enough to give pause. Take, for example, the Soviet Phobos II probe, which was lost in mysterious circumstances in March 1989 as it moved into orbit around the Red Planet. The Soviets claimed publicly that Phobos II had spun out of control as a result of mistakes made by ground command, but also admitted that the probe had encountered – and photographed – an unknown object shortly before it was lost. Discussing the failure of Phobos II on March 29, 1989, Alexander Dunayev, Chairman of the Glavkosmos space organization, said that the precise nature and origin of the unknown object had yet to be determined, but he speculated that it could be “debris” or part of the probe’s propulsion system. However, the enormous size of the anomaly - which, based on its appearance in the photograph, has been calculated as being up to two kilometers wide and twenty kilometers long - would seem to rule out these possibilities.


In any case, officials within the Russian space program would hear a very different accounting of what befell Phobos II from a team of remote viewers they later commissioned to investigate the probe’s failure. In September 1991, the remote viewers – formerly with the DIA’s project Grill Flame – presented their findings in a report titled “Enigma Penetration: Soviet Phobos II Spacecraft Imaged Anomaly,” which stated that the probe was disabled by an “object” already in space that “moved into close proximity” of Phobos II before directing “a very powerful, wide, penetrating particle beam into the interior of the spacecraft.” According to the report:

“The directed energy was neither reflected nor absorbed by the probe’s skin. However, the beam inflicted serious damage upon the spacecraft’s electronic components, altering or rearranging their material structure at the molecular level to such a degree that circuits became paralyzed, in turn rendering many systems dysfunctional.”

The photo of the unknown object was made public in December of 1991 when retired Soviet air force Colonel Marina Popovich displayed it for American reporters in San Francisco. Popovich argued that the object - which was cylindrical in shape - was indeed anomalous and did not rule out the possibility that it may have been an alien spacecraft.

It is also worth noting that on August 21, 1993, NASA’s Mars Observer probe was similarly lost en route to the Red Planet. Just three days prior to entering Mars orbit, NASA reported an “inexplicable” loss of contact with the probe. The US Naval Research Laboratory produced a report the following year citing a ruptured fuel pressurization tank as the cause, but remote viewer David Morehouse would later tell Jim Marrs that the probe appeared to have suffered the same fate as that of the Soviets’ Phobos II. In other words, the Martians did it.

The Angry Red Planet: Mars at the Movies

It seems that the Martian Curse affects not only Earth’s Mars-bound missions, but Hollywood’s movie’s about the Red Planet also. For decades, Hollywood filmmakers have been romantically drawn to the mysteries of Mars, compelled to explore the majestic sweep of its rust-hued surface and to unearth its ancient subterranean secrets. Hollywood’s love for Mars, though, is unrequited. Indeed, one could be forgiven for suspecting that the potential inhabitants of the planet (be they microbes or, as has been suggested by remote viewers, technologically advanced underground base-dwelling humanoid beings) are aggressively ‘anti-Hollywood’ and are actively working their magical and malicious Martian mojo against each and every one of Tinseltown’s ‘aliens-on-Mars’ movies.


With the notable exception of War of the Worlds (1953) – which was a critical and commercial success – Hollywood’s Cold War-era Mars movies truly did seem to be, well, cursed. Movies such as Rocketship XM (1950), Flight to Mars (1951), Red Planet Mars (1952), Invaders from Mars (1953),The Angry Red Planet (1959) and The Day Mars Invaded Earth (1963) received – at the very best – mixed reviews from critics (most were savaged) and generated little or no profit. But the Mars movie-bomb conveyor belt was only just slipping into gear. Here is a quick chronological glance at some of Hollywood’s most memorably disastrous visits to the Red Planet:

  • Robinson Crusoe on Mars (1964): The plot is in the slightly laughable title, but the movie itself is a surprisingly sober and dramatically engaging affair. It was also billed as being “scientifically accurate” based on technical advice that the production received from NASA (though, actually, it’s about as scientifically accurate as the Transformers franchise). There were high hopes for the movie, and a sequel - Robinson Crusoe in the Invisible Galaxy - was planned but quickly scrapped after the first movie took a nose dive at the box-office.
  • Santa Claus Conquers the Martians (1964): The title says it all. It is currently ranked number 77 in the IMDB’s bottom 100 movies of all time.
  • Mars Attacks! (1996): Inspired by the cult trading card series of the same name, Tim Burton’s manic B-movie parody – described by the director as “kind of a Mad magazine version of Independence Day” – had a production budget of $80 million, on top of which Warner Bros. forked out $220 million on marketing. The movie grossed just over 100 million worldwide and introduced Burton to the notion of box-office failure (something he has rarely experienced since).
  • My Favorite Martian (1999): a big screen version of the popular 1960s sitcom of the same name in which a Martian crash-lands on Earth and disguises himself in human form. This Disney flick grossed just $37 million against a budget of $65 million and was slammed by critics. It has a great opening scene though (see video below).
  • Mission to Mars (2000): When the first manned mission to Mars meets with disaster in the year 2020, the ensuing rescue mission learns that humans are descended from an ancient and long since departed race of Martians. Disney (again) and director Brian De Palma had high hopes for this $100 million epic, but the best it could do at the worldwide box-office was to recoup its productions costs plus a paltry $11 million.
  • Red Planet (2000): Released in the same year as Mission to Mars, Warner Bros.’ bid to lift the Martian Curse fared no better than Disney’s. The story follows a team ofastronauts who travel to Mars in search of solutions to Earth’s environmental degradation and eventually come up against some nasty Martian insect thingies. Other stuff happens too, but none of it good. It cost $80 million to produce and grossed just $33 million worldwide, making it one of the world’s biggest ever box-office bombs.
  • Ghosts of Mars (2001): In which human colonists on the Red Planet become possessed by angry Martian spectres. Another big rusty nail in the coffin of John Carpenter’s career, the movie had a $28 million budget and grossed just $14 million worldwide. Scathing critics’ reviews didn’t help.
  • Mars Needs Moms (2011): not deterred by the back-to-back failures of My Favorite Martian (1999) and Mission to Mars (2000), Disney chose to return to the Red Planet with this family-friendly offering about emotionally stunted Martians who abduct Earth moms in order to extract their maternal instincts for the benefit of their own babies. The moms’ natural know-how is then uploaded into thousands of automated robots which are tasked with nurturing the Martian young. It’s as weird as it sounds, but actually not half bad – the visuals, at least, are jaw-dropping. Disney poured a staggering $175 million into the movie, of which it lost $136 million... ouch! It is the fifth biggest box-office bomb of all time.
Disney's Mission to Mars (2000)

Considering the high failure rate of Hollywood’s Mars missions, it’s a wonder filmmakers continue to gamble on the Red Planet at all, and yet, in addition to Andrew Stanton’s forthcoming John Carter movie, first-time feature director Ruairi Robinson is betting on success in 2013 with Last Days on Mars, while Underworld helmer Len Wiseman is rolling the dice with a $200 million remake of Total Recall (2012), which, admittedly, thanks to its literary and cinematic heritage, just may turn out to be a hit. The original Total Recall – a Mars-set Arnold Schwarzenegger vehicle adapted from the Philip K. Dick short story We Can Remember It For You Wholesale – was released to critical acclaim and grossed $261 million against a $65 million budget in spite of its ‘R’ rating (which originally was an ‘X’ before director Paul Verhoeven was forced to make numerous cuts in order to soften the movie’s graphic violence). But that was way back in 1990, and no other ‘aliens-on-Mars’ movie has matched its success.

As for John Carter, for now, at least, things are looking hopeful: the movie was well received by test audiences according to Andrew Stanton, who told The New Yorker that a two-hour cut of John Carter was screened in July for an audience in Portland, Oregon, with 75% of attendees scoring the movie either "excellent" or "very good," despite it being largely unfinished and distinctly lacking in post-production polish.

Could John Carter be the movie to restore Hollywood’s faith in Mars? Maybe, but it is not due for release until March of 2012 – four months away at time of writing – and the proof, so the strange
saying goes, is in the pudding. John Carter is already a hero to many, and he may well succeed in lifting the Martian Curse. But don’t be too surprised if he ends up biting red dust.

Copyright © 2011 Robbie Graham


Related trailers/video:


Flight to Mars (1951)...

 


The Angry Red Planet (1959)...




Robinson Crusoe on Mars (1964)...




Santa Claus Conquers the Martians (1964)...




My Favorite Martian (1999) - opening scene...




Mars Needs Moms (2011)...




John Carter (2012)...